Massey Theatre Society (the Society), and the artistic programming and community services it provides, are undergoing an exciting transformation. In 2021, the Society signed a 25-year lease agreement, based in partnership with the City of New Westminster, for the Massey Theatre’s expanded venue of the Eighth and Eight Creative Spaces. The certainty of this lease allows the Society to affirm a long-term vision of a vibrant accessible community and cultural arts spaces for all with sustainable strategies to achieve it.
A vibrant regional destination for creative, arts and culture
We are looking for skilled and committed individuals to join our volunteer Board of Directors. Specifically, we are interested in energized individuals of a variety of ages with one or more of the following characteristics:
The Massey Theatre Society contributes to artistic and cultural activity in several dynamic ways:
The operation and programming of Massey Theatre Society is done by a diversified team of respected arts professionals while the volunteer Board of Directors is responsible for high level oversight and strategic direction to help ensure the long-term preservation and stewardship of the facility, its programs, the arts and its relationships with the community. The next two years will see the transformation of the facility through completion of a long-awaited capital renovation. The Society will be focused on continuity of services, financial sustainability and establishing its long-term programming and business models.
We endeavor to maintain a diverse array of perspectives and lived experience on the Board. The Board should be reflective of a full spectrum of heritages, ages, abilities and gender identities. If you are interested, please contact Jessica Schneider at jessica@masseytheatre.com with a resume and cover letter. Expressions of interest should be submitted by October 11, 2024.
Massey Theatre Society 2024-2030 Strategic Plan
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We are currently in need of three to four ticket sellers to join our team for the season ahead with opportunity to advance and continue to work into the future. The ticketing team is part of the larger Front-of-House staff group. Ticketing staff are responsible for attending to day-to-day and event ticket sales, client care and running reports. They carry out regular activities to ensure the financially effective and customer service-oriented operations of the ticketing and registration activities at Eighth & Eight Creative Spaces (Massey Theatre Complex, New Westminster, BC) and affiliated offsite facilities such as Anvil Theatre.
We work in a highly customer service-oriented industry, which involves a variety of clients and patrons with differing needs. An online service runs in parallel to our daily phone and in-person sales hours, which are currently offered Tuesdays through Saturdays, from noon to 5pm on-site at Massey Theatre. Events and performances are typically in the evenings and on weekends. The team is expected to help cover the hours in the range of 15 plus hours per week per person. The work is fast-paced at times and quiet at others, leaving staff the ability to catch up on data management and other duties.
Members of the team should be familiar with performing arts as well as have an understanding of arts audiences and their information needs. They should know their way around the technologies required for ticketing and be comfortable with upholding policies. The team must be able to express what is happening and do so enthusiastically when dealing with the public. They will have an organized and solutions-oriented spirit as well as a compassionate and sociable nature.
There is opportunity to join the larger front-of-house staff group if more work hours are desired.
CUSTOMER SERVICE
QUALIFICATIONS WE ARE HOPING TO FIND
WORKING CONDITIONS
REMUNERATION
$22 per hour plus 4% vacation pay (starting wage)
COMMITMENT TO EQUITY AND INCLUSION
Eighth and Eight / Massey Theatre Society exists and operates on the unceded traditional territories of Hul’qumi’num speaking Coast Salish peoples of Qayqayt, Musqueam, Kwantlen, Kwikwetlem and Katzie. We are committed to providing access to the space to those peoples and to contributing to their efforts toward cultural resurgence through our work. Consultation and direct employment of Indigenous people is a priority in these and other efforts. The Society is influenced by, and of service to, a broad range of communities, world views, ways of working and lived experiences. With conscious intention we are seeking a candidate whose identity may not have been equitably included in our organization, or the professional artistic sector historically. We encourage applicants to articulate their personal connections and perspectives, in relation to systemic barriers, so that we may advance creating a more equitable and inclusive workplace.
APPLICATION PROCESS
Applicants are required to submit a resume and a maximum one page letter expressing their interest. Candidates should describe their related skills, experience and special qualities and characteristics that will add to the our understanding of your qualifications. References may be submitted at the time of application, or it is acceptable that they be added upon request.
Executive and Programming Director, Jessica Schneider, will identify candidates to be interviewed. Only those being interviewed will be contacted.
The position will start as soon as possible.
Application Deadline: September 30 at midnight
Submit Applications via email to: jessica@masseytheatre.com
Read More →Massey Theatre Society is a not-for-profit organization established in 1983 which operates a large arts facility and offers an array of artistic and community activities. With expansion, we are now working with of over 57,000 square feet of dynamic and creative space including the Massey Theatre, galleries, seven multipurpose studios including a small stage performance studio, music studio, art studio, dance studio and digital labs. The context serves to place artists in connection with community members at many stages in the creative process. Our programming direction is based on goals to create sustainable access and inclusion for all community members, with additional supports available for BIPOC, LGBTQ2+ and other underserved or marginalized communities.
The facility, referred to as Eighth & Eight Creative Spaces includes the 1,260-seat Massey Theatre that hosts dynamic and diverse entertainment performances. We are now accepting applications for ushers and concession staff to help deliver all of these public activities.
The Front of House positions are paid casual positions that report to the Guest Services Coordinator. They are responsible for welcoming guests, contributing to the comfort and safety of the audience through ushering and/or concession duties and participation in implementing the safety plan should that be required. A minimum commitment to working available shifts is expected to continue to work. Shift times vary including weekdays, evenings and weekends.
As a Front of House staff member, you are the first person that the audience sees as they enter the theatre and the last person they see as they leave. Therefore, it is necessary that you have a personable nature, can make eye contact and speak to guests, have an excellent customer service skill set, and are willing in helping patrons in any way that you can.
Ushering:
Concession Service:
Requirements for all Front of House Positions
$17 to $19 per hour based on skills and experience.
To apply, please submit your name and resume including your relevant skills and work experience via email to patrick@masseytheatre.com
Please indicate that you are applying for the FOH Staff positions. Attachments can be accepted in the word format. Deadline for application: February 5, 2023
Read More →Massey Theatre/ Eighth & Eight Creative Spaces Head of Ticketing
The position is responsible for ticketing operations, client care and systems. They oversee activities to ensure the financially effective and customer service-oriented operations of the ticketing and registration activities Eighth & Eight Creative Spaces (Massey Theatre Complex, New Westminster, BC) and affiliated offsite facilities such as Anvil Theatre. Manages all elements of the ticketing operations of over 300 special events, courses and activities at the two to three varying theatre spaces as well as studios and large gathering spaces, including the daily of the ticket office and online sales platforms.
We work in a highly customer service-oriented industry, which involves a variety of clients and patrons who are sometimes demanding. Must constantly meet tight deadlines. Workload is fast-paced, frequently heavy and working environment at times stressful. The position is supported by the larger leadership team and works closely with the Guest Services Coordinator.
The candidate will be familiar with professional and community arts and arts audiences in Metro Vancouver. They should know their way around the technologies and scheduling systems required to keep a hectic schedule flowing smoothly. They will bring experience working with diverse communities and be motivated to encourage community participation in the arts and culture, to express what is happening and enthusiastically share it with the public. They will have an organized and solutions oriented spirit as well as a compassionate and sociable nature.
The successful candidate will work with a highly skilled senior staff including the Performing Arts Programming Director, Marketing and Communications Director, Operational and Administrative Director, Indigenous Cultural Development Director, Technical Department and Guest Services heads. They will report to the Operational and Administrative Director. The position will:
Eighth and Eight / Massey Theatre Society exists and operates on the unceded traditional territories of Hul’qumi’num speaking Coast Salish peoples of Qayqayt, Musqueam, Kwantlen, Kwikwetlem and Katzie. We are committed to providing access to the space to those peoples and to contributing to their efforts toward cultural resurgence through our work. Consultation and direct employment of Indigenous people is a priority in these and other efforts. The Society is influenced by, and of service to, a broad range of communities, world views, ways of working and lived experiences. With conscious intention we are seeking a candidate whose identity may not have been equitably included in our organization, or the professional artistic sector historically.
We encourage applicants to articulate their personal connections and perspectives, in relation to systemic barriers, so that we may advance creating a more equitable and inclusive workplace.
Applicants are required to submit a professional resume and a maximum one page letter expressing their interest. Candidates should describe their related skills, experience and special qualities and characteristics that will add to the selection committee’s understanding of their qualifications.
References may be submitted at the time of application, or it is acceptable that they be added upon request.
Executive Director –Jessica Schneider, and associates will identify candidates to be interviewed. We will endeavour to complete shortly thereafter. The position will start as soon as possible.
Application Deadline: April 3, 2022 at midnight
Submit Applications via email to: Jessica@masseytheatre.com
Read More →Organization Description
Massey Theatre Society was established in 1983 as a venue based arts organization. The Society operates two theatres and a 35,000 square foot arts complex formerly components of New Westminster Secondary School. The historic Massey Theatre (est. 1949) is a 1,260 seat proscenium theatre within the complex at the corner of Eighth and Eighth in uptown New Westminster.
POSITION TITLE: Eighth & Eight Event Coordinator
The position of Eighth and Eight Event Coordinator will play a key role in activating our facility and carrying out a weekly special event series on Saturdays. They will work closely with Booking, Operations and Programming teams for Massey Theatre Society in activating the expanded facilities. Day to day work will be to identify and coordinate logistics, resource allocation, applicable revenue generating activities and relationship development required for an array of activities. The opportunity also includes the exciting opportunity to fully activate the facility, users and community through regular planning and coordination of the new Saturday program.
The ideal candidate has event coordination experience, administrative abilities, entrepreneurial verve, some production experience and advanced social skills allowing them to work with many distinct creators. This is an eighteen-month position with possible renewal depending on the success of the events.
The candidate will be familiar with New Westminster. They should know their way around several artistic and / or entrepreneurial sectors. They will bring experience working with diverse communities and have an insatiable curiosity to find out what is happening in New West and beyond and a passion to contribute to and share it with the public. They will have an entrepreneurial spirit as well as an artistic eye.
RESPONSIBILITIES
The successful candidate will work with a highly skilled senior staff including the Performing Arts Programming Director, Marketing and Communications Director, Administrative and Operational Director, Indigenous Cultural Development Director, Technical Department and Guest Services heads. They will report to the Executive Director. The position will:
• Work with facilities and programming team to coordinate implementation of Cultural Programming, Rentals & Special Events which take place throughout the spaces in and outside Eighth and Eight Creative Spaces complex. Duties include: liaising with internal and external activity organizers and staff teams, procurement of supplies and equipment, site set-up and strike, and administrative support. The incumbent will help ensure that all events meet the specified objectives and take place in accordance with planned schedules and budgets.
• Perform administrative duties associated with producing the events, such as procurement, filing, preparing rental, vendor and performer agreements for approval and execution, and coordination. The Coordinator’s work schedule will reflect the priority of being on-site for key events and will therefore require a flexible work week that includes weekends and shift work.
• Work in a team environment to develop new programming and business activities that enhance the activity and vision of Eighth and Eight Creative Spaces creating opportunities for the public to experience arts and culture, social and business activities year-round, both daytime and evenings.
• Communicate with all staff, tenants, security, traffic control and event participants to provide event information and ensure smooth execution.
• Provide reasonable physical production support when necessary, setting up and striking event materials such as tents & tables, building décor, installing signage, etc.
• Negotiate fees, commissions, and other financial details with users, vendors and event collaborators
• Work with leadership staff to engage the public, develop and promote new activations in the space
WORKING CONDITIONS
• This position typically operates in an office environment as well as on site during some events.
• Hours of work: Full time, 37.5 hours per week.
• Because the job entails presence at events evening and weekend work is required.
KNOWLEDGE, SKILLS & ABILITIES REQUIRED
• Demonstrated experience in event coordination, the arts or a related sector.
• Proven track record of successful project management and community activation.
• Superior planning skills.
• Strong collaborative decision making abilities.
• Exceptional and inspiring communications skills, both written and oral.
• Strong skills as a mediator and negotiator.
• Proven entrepreneurial and financial management skills.
• A passion and commitment to culture and its value to society.
Strong software skills including with CRM and event management softwares are a requirement
REMUNERATION- $55,000 per year plus a comprehensive benefits package
• Six month probationary period
• Benefits – Extended Health, Dental, LTD, Life Insurance, Matching 3% RRSP contribution
• Vacation – starting with 3 weeks, after 5 years 4 weeks
COMMITMENT TO EQUITY AND INCLUSION
Eighth and Eight / Massey Theatre Society exists and operates on the unceded traditional territories of Hul’qumi’num speaking Coast Salish peoples of Qayqayt, Musqueam, Kwantlen, Kwikwetlem and Katzie. We are committed to providing access to the space to those peoples and to contributing to their efforts toward cultural resurgence through our work. Consultation and direct employment of Indigenous people is a priority in these and other efforts. The Society is influenced by, and of service to, a broad range of communities, world views, ways of working and lived experiences. With conscious intention we are seeking a candidate whose identity may not have been equitably included in our organization, or the professional artistic sector historically. We encourage applicants to articulate their personal connections and perspectives, in relation to systemic barriers, so that we may advance creating a more equitable and inclusive workplace.
APPLICATION PROCESS
Applicants are required to submit a professional resume and a maximum one page letter expressing their interest. Candidates should describe their related skills, experience and special qualities and characteristics that will add to the selection committee’s understanding of their qualifications. References may be submitted at the time of application, or it is acceptable that they be added upon request.
Executive Director –Jessica Schneider, and associates will identify candidates to be interviewed.
We will endeavour to complete shortly thereafter. The position will start as soon as possible.
Application Deadline: April 15, 2022 at midnight
Submit Applications via email to: jessica@masseytheatre.com
Read More →Organization Description
Massey Theatre Society was established in 1983 as a venue based arts organization. The Society operates two theatres and a 35,000 square foot arts complex formerly components of New Westminster Secondary School. The historic Massey Theatre (est. 1949) is a 1,260 seat proscenium theatre within the complex at the corner of Eighth and Eighth in uptown New Westminster.
POSITION TITLE: Massey Theatre Society BSW / Caretaker
General Description:
The BSW / Caretaker is responsible for providing a safe, clean environment for facility users, staff and the public. The position participates in the day-to-day operation of the facility with responsibility for the cleanliness, tidiness, and first impression readiness of the facility. Flexible hours will be required with some seasonal variation guaranteeing between twenty four to thirty hours per week year round.
Reports to: Directly: Operational and Administrative Director
Required Education, Knowledge, Qualifications and Experience:
Required Skills and Abilities:
Supervision of Staff:
There is no direct supervision of staff within the scope of this position, however, the BSW/Caretaker will liaise with contracted or auxiliary support personnel.
Responsibilities:
Without restricting the generality of the general description above, the BSW/Caretaker shall perform such duties and responsibilities as may be assigned including but not restricted to the following:
Day to day Duties:
Judgement, Confidentiality:
At no time should personnel discuss in public information pertaining to the operations, personnel matters or user details. A BSW/Caretaker is expected to respect the confidential nature of the position by avoiding discussion about any topics that are not formally communicated to the public by the administration. Breaching confidentiality is a serious violation of acceptable conduct.
Working Jointly with Other Staff on Common Assignments or Tasks
This position involves working jointly with other support staff, and the leadership team on events, projects and tasks in a dynamic and varied programming environment.
Responsibility for Quality of Assigned Work:
The employee is under routine supervision and is responsible for the quality of the assigned work. The health and safety of other employees and the users of the facility are dependent on the quality of the work. The “first impression” image of the organization is dependent upon the quality of the work.
REMUNERATION- $22/hr for an average 24 to 30 hour work week. An averaging agreement will be put in place – plus a comprehensive benefits package
COMMITMENT TO EQUITY AND INCLUSION
Eighth and Eight / Massey Theatre Society exists and operates on the unceded traditional territories of Hul’qumi’num speaking Coast Salish peoples of Qayqayt, Musqueam, Kwantlen, Kwikwetlem and Katzie. We are committed to providing access to the space to those peoples and to contributing to their efforts toward cultural resurgence through our work. Consultation and direct employment of Indigenous people is a priority in these and other efforts. The Society is influenced by, and of service to, a broad range of communities, world views, ways of working and lived experiences. With conscious intention we are seeking a candidate whose identity may not have been equitably included in our organization, or the professional artistic sector historically. We encourage applicants to articulate their personal connections and perspectives, in relation to systemic barriers, so that we may advance creating a more equitable and inclusive workplace.
APPLICATION PROCESS
Applicants are required to submit a resume and a maximum one page letter expressing their interest. Candidates should describe their related skills, experience and special qualities and characteristics that will add to the employer’s understanding of their qualifications. References may be submitted at the time of application, or it is acceptable that they be added upon request.
Operational and Administrative Director –Minna Nikula, and associates will identify candidates to be interviewed.
We will endeavour to complete shortly thereafter. The position will start as soon as possible.
Application Deadline: March 31, 2022 at midnight
Submit Applications via email to: minna@masseytheatre.com
Read More →
Title: Performing Arts Collaborative Creation Residency
Organization:
Massey Theatre Society and Eighth & Eight Creative Spaces
Deadline: March 4, 2022
About us:
Massey Theatre Society is a catalyst for a vibrant, expressive community and a stage where any dream is possible. The Massey Theatre has recently expanded our arts and community spaces into the complex surrounding Massey Theatre (Eighth & Eight Creative Spaces: www.eighthandeight.com). Our focus at Eighth & Eight is on serving artists and our community by offering space as well as resources and support. Artists and communities that do not have a facility to work often face inequity in securing resources for their work. We are looking to change that with Eighth & Eight as we are now working with of over 35,000 square feet of dynamic and creative spaces including the Massey Theatre, Plaskett Gallery, four Multipurpose Studios including a performance studio, dance studio and digital labs. With an expanded facility we are creating new and inclusive opportunities for artistic creation, presentation, development, community engaged and wellness practices, and workshopping. As a part of this expansion, we are launching a new performance series for artists which will take place throughout 2022 and beyond.
Performing artists are often asked to collaborate or perform in mixed bills or showcases with other artists without the resources to contemplate how they might leverage those contexts and perhaps create more developed or expanded new works. For this project we will be choosing four emerging performing artists or small ensembles from a range of performing arts such as music, dance, theatre (including sketch comedy and spoken word) and other staged literary, audio, and visual forms. All performances will take place in our 60-seat performance studio with other studios and spaces to be used during the development phase.
Call for Submissions:
Each project would be asked to leverage their existing short works to create a one-hour performance in a double bill or collaboration with an artist working in a different art form, technique, or tradition. Artists are asked to challenge themselves to create something they might not otherwise without the resources available. This can be done by either by expanding an already existing work by adding design elements to it or with a new cross-disciplinary or cross-cultural work. (Please identify if you will use the funds to engage collaborators to enhance your own work in a double bill or for a new collaborative work).
In addition to fees paid to both artists, we would provide a minimum of two weeks of free studio space to develop and rehearse, access to digital and theatrical equipment as well as tech support and basic training on the equipment (if needed). We would also provide technical and front of house staff for the performance as well as promotional and administrative support. In addition, each artistic group will have access to mentorship from one, or more, of our Artistic Associates.
The Massey Theatre employs a team of Artistic Associates, each responsible for reflecting and advocating distinct yet intersectional programming and engagement lenses in service of relationships with seniors, LQBTQ2+ people, black community members, Indigenous people, and the immigrant diaspora residing in our community.
We welcome applications from all BC performing artists however priority will be given to emerging artists residing in New Westminster, the Tri-Cities, and communities East of Boundary Road as well as well as IBPOC and LGBTQ2+ candidates.
How to Apply:
Please submit a one-page description of your proposed project to fleur@masseytheatre.com. Please include your bio and any other pertinent information, including links to video reels, social media, resumes, and any questions. Please also indicate if you are an emerging or established artist. Please include a detailed timeline that corresponds to our timeline below, as well as ideas for collaborators and which of the Artistic Associate(s) (if any) you are interested in connecting with (see below for names and bios of our Artistic Associates).
All projects must also include some community engagement. Please detail all resources you can bring to the project to ensure a successful community engagement plan is achievable. Examples of community engagement might include open studio, public artist talks, workshops, digital engagement or recording untold stories in our digital hub.
Fees:
Each project will receive $2000 CAD for the creative development stage. Additionally, all projects will receive $1000 CAD if the project results in a performance at Eighth & Eight. An appropriate fee commitment to all collaborators is required. Please identify in your proposal the fees you will pay your collaborator(s).
In addition, we would provide the following:
Timeline of activities:
Contact Information:
Contact Name: Fleur Sweetman, Performing Arts Programming Director
Contact Email: fleur@masseytheatre.com
Contact Phone: 604-517-5900
Artistic Associates
The Massey Theatre employs a team of Artistic Associates, each responsible for reflecting and advocating distinct yet intersectional programming and engagement lenses in service of relationships with seniors, LQBTQ2+ people, black community members, Indigenous people, and the immigrant diaspora residing in our community.
The following Artistic Associates are available to provide mentorship:
Justine A. Chambers is a dance artist and educator living and working on the ancestral and traditional Coast Salish territories of the Sḵwx̱wú7mesh, Musqueam and Tsleil-Waututh Nations. Her movement-based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive. Privileging what is felt over what is seen, she works with dances that are already there – the social choreographies present in the everyday. Her recent choreographic projects include Steady, Waking Hours, And then this also, One hundred more, tailfeather, for all of us, it could have been like this, ten thousand times and one hundred more, Family Dinner, Family Dinner: The Lexicon, and Semi-precious: the faceting of a gemstone only appears complete and critical. Chambers’ work has been hosted by Western Front, Sophiensaele (Berlin), Contemporary Art Gallery, Vancouver Art Gallery, Morris and Helen Belkin Art Gallery, Agora de la Danse (Montreal), Cantor Fitzgerald Gallery (Haverford College), Canada Dance Festival (Ottawa), Nanaimo Art Gallery, Artspeak, Burrard Arts Foundation, Mile Zero Dance Society, Dance in Vancouver, Festival of New Dance (St. John’s) and Art Museum at University of Toronto. Chambers is the recipient of the Lola Dance Prize (2018) and was selected for the Visiting Dance Artist Program at the National Arts Centre (2018-2020), Artist in Residence at SFU’s Community Engaged Research Initiative (CERi). Chambers is currently a Term Lecturer at the School for Contemporary Arts at Simon Fraser University. She is Max Tyler-Hite’s mother.
Ryan Leslie Fisher is a graduate of the Theatre and Drama Studies program at the University of Toronto. He is best known for his comedy TikTok character Dandy (@dandyandfriends) and is fresh off a sold-out tour in TX, LA and NYC. He worked in the immersive theatre scene in Hollywood as the devilish MC in Crimson Cabaret (Unmarked Door) and starred in his award-winning LGBT Sketch Comedy Series Enemies of Dorothy (HereTV). He’s now based in Vancouver where he teaches acting at The Laura Mac Method and partners with The Massey Theatre. TV credits include The Mentalist (CBS), American Horror Story (FOX), and The Midnight Club (Netflix).”
Ronnie Dean Harris aka Ostwelve is a Sto:lo/St’at’imc/Nlaka’pamux multimedia artist based in New Westminster, BC. He began his artistic career in graphic design at age 14 and that same year, began co-hosting the “When Spirits Whisper” radio show alongside Gunargie O’Sulllivan on Co-Op Radio 100.5 FM.
Ronnie holds the position of Indigenous Cultural Development Director with Massey Theatre Society where he examines local cosmology and histories and forges pathways and relationships with the Indigenous diaspora to inform and engage the Society’s programs and activities.
His professional artistic pursuits cover a wide range including acting and hosting in films, television and digital media including roles on PBS series and specials. He has composed music for film, designed sound for the stage and performed as a musician. His art has been shown in exhibitions from Island Mountain Arts in Wells to the Vancouver Art Gallery and on the streets in the form of murals. He has produced cultural events and programming for festivals and gatherings.
He has facilitated forums, conferences, and workshops from Regina to Parksville and received awards and recognition for aboriginal leadership and podcasting. As an independent researcher, Ronnie has worked on various portfolios that include Indigenous cosmologies, ethnography, archival audio, historiographies, and actions.
Ronnie has a passion for creating and facilitating workshop programs for youth in media arts and hip-hop as well as an interest in environmental causes. Learn more about Ronnie Dean Harris and his work at www.ronniedeanharris.com
The globally renowned Cassius Khan is a Canadian musician who plays the Tabla and simultaneously sings classical Ghazal and Thumri (poetry in Urdu and Hindi) and is the only professional musician in the world who presents his art in this way. A recipient of the 2005 Salute to Excellence Award, a 2008 Juno Award nomination, a 2011 Western Canadian Music Award nomination and a 2019 Bernie Legge Artist of the Year Award recipient, Khan’s performance will showcase the difficulty of dividing his brain into two facets of his mastery- singing Ghazal in classical form and playing complex rhythmical patterns on his tabla. His trademark “Tarannum Ang Gayaki” style coupled with his Tabla have stupefied many Indian maestros and was recognized for this unique ability. Hailed as “Canada’s Multifaceted Musician” thanks to his ground-breaking collaborations with musicians of all genres around the planet, Khan takes his audience on a wonderful journey of melody through his pitch perfect rich voice, stupendous technique of rhythm through his talented hands and with his mastery of performance onstage and comical and good-natured personality he intricately weaves his performance with funny anecdotes. Khan is also a sought-after teacher and mentor and is both a private teacher and a visiting professor for Indian music at the international school Mulgrave. The Producer of the Mushtari Begum Festival of Indian Classical Music and Dance held at the Massey Theatre in New Westminster since 2012, Khan has presented over 20 artists to the Canadian audience and has performed for the Permanent India Mission to the UN and WIPO in Geneva, Switzerland in 2017/2018. Khan is also the Curator of the ‘Global Tea Series with Cassius Khan’ at the Massey Theatre and is endorsed by the Sangeet Natak Akademi award winning Tabla crafters Ustad Qasim Khan Niyazi & Sons as well as the Australian based ‘Lehra Studio’ Apps.
Allan Morgan has been a stage actor for more than thirty years. Some highlights include appearing in London, GB, Adelaide Australia, Wellington NZ and San Francisco, all with The Overcoat. He appeared for several seasons at Bard on the Beach, notably in The Tempest as Prospero, as well as King John, A Midsummer Night’s Dream and Much Ado.
He has toured across Canada with the Electric Company in Studies in Motion. He has appeared at The Belfry, notably in The Drawer Boy, Dirty Blonde, and I am My Own Wife for which he received the Victoria Critic’s Award for best performance. Other favourites include Red, Thinking of Yu, and Abraham Lincoln Goes to the Theatre for ATP in Calgary.
Allan has two solo plays: I Walked the Line; and Pride: for the young gay, the ungay and the jaded queen in all of us.
Presented with the support of the City of New Westminster, Province of BC, BC Arts Council, Metro Vancouver and BC Touring Council.
Read More →Organization Description
Massey Theatre Society was established in 1983 as a venue based arts organization. The Society now operates two theatres and a 35,000 square foot arts complex formerly components of New Westminster Secondary School. The historic Massey Theatre (est. 1949) is a 1,260 seat proscenium theatre within the complex at the corner of Eighth and Eighth in uptown New Westminster. The Anvil Centre Theatre (est. 2014) is a 360 seat, flexible, contemporary theatre within the multi-functional Anvil Centre on Columbia Street in downtown New Westminster.
The past five years have brought significant growth in venue activities, organizational capacity and programming development. The organization is now a significant generator of artistic and community engagement programs. It holds a long term lease of the Massey Theatre and Complex and a programming and operating service agreement at the Anvil Centre Theatre. A new digital hub is being launched and the MTS is poised to grow and increase its impact which is broad and inclusive of all communities.
The Senior Audio Development Technician is a one-year contract position that will provide highly specialized audio work for a broad range of performing arts and special events for the Massey Theatre Society and its diverse rental clients. Will develop internal and external training programs and maintain and develop audio systems throughout the facility.
CLIENT RELATED DUTIES
VENUE/OTHER RELATED DUTIES
WORKING CONDITIONS
KNOWLEDGE, SKILLS & ABILITIES REQUIRED
REMUNERATION
Vacation – starting with 3 weeks, Deadline for applicants: December 31, 2021.
To apply, please email info@masseytheatre.com with the subject line Senior Audio Development Technician.
COMMITMENT TO EQUITY AND INCLUSION
Massey Theatre Society exists and operates on the unceded traditional territories of Hul’qumi’num speaking Coast Salish peoples including the Qayqayt, Musqueam, Kwantlen, Kwikwetlem and Katzie. We are committed to providing access to the space to those peoples and to contributing to their efforts toward cultural resurgence through our work. Consultation and direct employment of Indigenous people is a priority in these and other efforts.
The Society is influenced by, and of service to, a broad range of communities, world views, ways of working and lived experiences. With conscious intention we are seeking a candidate whose identity may not have been equitably included in our organization, or the professional artistic sector historically. We encourage applicants to articulate their personal connections and perspectives, in relation to systemic barriers, so that we may advance creating a more equitable and inclusive workplace.
Read More →The Massey Theatre Society has hired two acclaimed arts leaders to join the staff team for Massey Theatre, Anvil Centre Theatre and Eighth & Eight Creative Spaces. These new hires are filling the roles of Programming Director and Performing Arts Programming Coordinator.
Jillian Christmas will be the new Programming Director. Jillian is a queer, Afro-Caribbean writer who worked as long-time spoken word coordinator at the Vancouver International Writers Fest. She has built a vibrant legacy of arts-organizing and curation, including six fruitful seasons as former Artistic Director of Versəs Festival of Words, as well as serving as a founding member and People and Talent Coordinator for Bakau Consulting’s (formerly Cicely Blain Consulting) acclaimed Stratagem conferences. Her organizing work focuses on a desire and duty to uplift underrepresented voices and distribute resources into marginalized and underserved communities. These talents and abilities will be activated towards the expanded creative facilities, uplifting community through the arts.
The Performing Arts Programming Coordinator position will be filled by Fleur Sweetman. Fleur worked as long time General Manager for both Turning Point Ensemble and Vancouver Pro Musica. A trained oboist holding her Masters of Music Performance from UBC, Fleur has an intimate connection and knowledge of the classical and contemporary music communities which will allow her to build local capacity and develop new relationships in the performing arts. She’s also an experienced community programmer and activator having worked at Place Des Arts as Fine and Performing Arts Programmer.
‘We are truly proud to have attracted these two phenomenal individuals. The support of a Pivot Grant from BC Arts Council allowed us to work with programming consultant Gary Cristall to review our needs and support us in our search. These roles and the increased capacity they bring are vital as we expand the Massey Theatre, Anvil Centre Theatre and Eighth & Eight Creative Spaces programs and relationships,” said Jessica Schneider, Executive Director, Massey Theatre Society, “As our capacity grows, so does our ability to serve and inspire the community and provide a home for people to create, celebrate and connect.”
The pair join Schneider, Indigenous Cultural Development Director Ronnie Dean Harris and the Operational Leadership Team as key voices in resourcing and guiding the artistic, social and cultural contributions of the Society.
As the summer continues, activities will continue with the Open Space Saturday series and planning for reopening the facilities to audiences. Schneider promises further announcements about public and artistic programs, staffing and more.
Read More →SENIOR PROGRAMMING POSITION SEARCH : APPLICATION DEADLINE JUNE 7, 2021
Massey Theatre Society – Programming Director
Exceptional Art and Community Impact – an activator, a visionary, a lover of all arts, with a track record for making things happen.
Massey Theatre Society was established in 1983 as a venue based arts organization. The Society now operates two theatres and a 35,000 square foot arts complex formerly components of New Westminster Secondary School. The historic Massey Theatre (est. 1949) is a 1,260 seat proscenium theatre within the complex at the corner of Eighth and Eighth in uptown New Westminster. The new Anvil Centre Theatre (est. 2014) is a 360 seat, flexible, contemporary theatre within the multi-functional Anvil Centre on Columbia Street in Downtown New Westminster.
The past five years have brought significant growth in venue activities, organizational capacity and programming development. The organization is now a significant generator of artistic and community engagement programs. It holds a long term lease of the Massey Theatre and Complex and a programming and operating service agreement at the Anvil Centre Theatre. A new digital hub is being launched and the MTS is poised to grow and increase its impact which is broad and inclusive of all communities.
As Massey Theatre Society’s Programming Director, you will be responsible for the artistic leadership of programming taking place in the various venues. Reporting to the Executive Director, the role is accountable for creating and implementing a comprehensive strategic plan and involves working with the Senior Management and staff Team, and overseeing a team of Associate Artists and Support staff.
You will be an experienced leader who understands both the artistic and operational requirements of a not-for-profit arts organization. The ideal candidate will continue to define and raise profile locally, regionally, and nationally, sustaining and improving strategies to secure the centre’s long-term artistic and financial growth, increase organizational resiliency, and ensure its artistic legacy.
RESPONSIBILITIES
This position will interact with members and officers of the following groups:
Massey Theatre Society exists and operates on the unceded traditional territories of Hul’qumi’num speaking Coast Salish peoples of Qayqayt, Musqueam, Kwantlen, Kwikwetlem and Katzie. We are committed to providing access to the space to those peoples and to contributing to their efforts toward cultural resurgence through our work. Consultation and direct employment of Indigenous people is a priority in these and other efforts.
The Society is influenced by, and of service to, a broad range of communities, world views, ways of working and lived experiences. With conscious intention we are seeking a candidate whose identity may not have been equitably included in our organization, or the professional artistic sector historically. We encourage applicants to articulate their personal connections and perspectives, in relation to systemic barriers, so that we may advance creating a more equitable and inclusive workplace.
Applicants are required to submit a professional resume and a maximum two page letter expressing their interest. Candidates should describe their related skills, experience and special qualities and characteristics that will add to the selection committee’s understanding of their qualifications. References may be submitted at the time of application, or it is acceptable that they be added upon request.
A Selection Committee comprised of Executive Director –Jessica Schneider, Arts Consultant – Gary Cristall, and associates will identify candidates to be interviewed. Interviews may involve additional Leadership staff members and a member of the Board of Directors.
Interviews will be conducted via online conference during the week of June 14. We will endeavour to complete shortly thereafter. The position will start as soon as possible.
Reference material:
Massey Theatre Programming and Organizational Structure pdf
City of New Westminster 2016 Census Info
City of New Westminster Arts Strategy
Tourism New West